Category Archives: creativity

The Long Winter

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It’s been a long Winter. Not just outwardly, in terms of cold temperatures, grey skies, wind, rain and occasional snow, but also inwardly too. I’ve felt myself stuck in a kind of inner Winter; physically, emotionally, creatively and professionally. Aside for commissioned work, I’ve struggled to write a single sentence. My third novel, which I initially had hoped might be completed and published this year, has stalled in the initial chapters. My two blogs have been frozen, with no new content in months. I engaged in a pre-scheduled blog tour to promote The Key of Alanar in January, and that was both fun and difficult. Fun because I love that book with all my heart, and I enjoyed sharing the process behind it, but also difficult because I really just felt like retreating from the world and hiding away.

I actually reached a point where I didn’t think I would ever write another word again. I just didn’t know if I could. The Key of Alanar totally exhausted me. I’d put more into that book than anything in my life, ever. I actually didn’t know if there was anything more I had to say, or even, sadly, any great burning demand for more. I began to second guess myself creatively and even personally. There’s nothing more toxic to any writer or artist than the horrifying thought ‘what will they think?’ It paralyses and chokes the life out of genuine creative endeavour. It instils a certain level of fear and pressure that makes it very hard press forward. This fear is always there in artists; the fear of failure, or maybe even the fear of success; of criticism or even worse, being ignored altogether. It’s always there as a kind of low level background rumble. But the moment we give into it, it becomes a deafening wail. It disrupts and paralyses and, if we happen to give into it and lose our momentum, it can be very very hard to overcome. Creative block can last for not just days and weeks, but months and years. Some truly talented artists never recover from it. In some respects they lose a part of their soul. There are few creatures in life quite as miserable as a blocked artist!

Perhaps this Winter season is a necessary one, however. Everything in life flows in cycles. There is a time for flowers to bud and bloom, for the sun to shine and for life to flourish, and also a time for things to wind down as the life force retreats inward. There is most definitely a time for dormancy, and maybe creativity cannot flourish without that. It’s the space in which new visions begin to take shape and new ideas start to form.

The last few days I’ve felt the first stirrings of Spring; not only outwardly in terms of seeing flowers bloom and small buds on certain trees, but also inwardly in terms of my own creativity. I think I’m ready to start writing again. In fact, I’m determined that I’m ready to start writing again. Every day I will sit and type words. I have no idea how those words will turn out, but at least I’ll begin to create a momentum once more. I have something to share with the world again, and now is the time to do it. Here’s to the Spring!

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‘The Key of Alanar’ is Officially Released Today!

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Hi everyone! It may be Monday morning (ugh!) but it’s also 14th September, a day I’ve been looking forward to for some time now! I’m delighted to announce that The Key of Alanar is now available online from multiple stores in both ebook and paperback format. You can also order it through your local bookshop or library, too!

My website has been updated with full details about the book, including information on the characters and setting. You can also order a SIGNED COPY directly from me. All you need to do is select your region and click ‘buy now’ and your payment will be processed via Paypal. It really is as simple as clicking a button. All orders will be promptly dispatched and will include a free bookmark. Click here to visit the Key of Alanar launch page!

Here are the direct links to Amazon and Amazon UK. There are more purchase links on the launch page.


Synopsis

Lasandria. An ancient civilization, consigned to oblivion by the greed and power lust of its own people.

The coming apocalypse heralds the arrival of a new evil that will ravage the world of Alanar for an entire age. Yet on the eve of Lasandria’s destruction, the ethereal overseers of the mortal realm grant a dispensation—a promise of hope for the future.

That hope lies with an orphaned teenager named David, born some ten millennia later; a boy whose isolated and uncertain existence leads him on a journey upon which hinges the fate of not just his world, but countless others.

On the run from a brutal military force, David’s quest is one born of shattered dreams and tainted by the thirst for revenge. As an inter-dimensional war that has been waged since the beginning of time threatens to consume his world, the dark force that destroyed Lasandria lurks in the shadows, ready to take possession of the one thing that will either save Alanar or destroy it: David.


From the official press release…

SCOTTISH AUTHOR RELEASES LIFE-CHANGING NOVEL 20 YEARS IN THE MAKING

Sometimes perseverance really does pay off. Scottish author Rory Mackay has spent two decades working on a single novel: The Key of Alanar, an ambitious fantasy/science-fiction thriller with a metaphysical twist. Originally conceived when the author was still in high school, it’s a story that has been with him most his life—and a story that has changed his life.

While Rory spent years developing the ideas behind this and subsequent books in the planned series, little direct progress was made on the book as he focused on education and work. A chronic illness brought him to a crossroads in life and enabled him to rediscover his true passion as a storyteller. Determined to pursue his dream in spite of all challenges, Rory continued working on the book through countless drafts, rewrites and edits. In the meantime he had another novel published in 2013, Eladria, a critically acclaimed prelude to The Key of Alanar (available from Cosmic Egg Books – and currently on a 99p / 99c sale!).

Finally released this month, The Key of Alanar marks the completion of a 20 year project—and one that helped the author through some difficult times. Rory’s work reflects his interest in the potential of mythology and fiction to elevate mood and consciousness: to make people think, to inspire, provoke and ultimately to heal.

An action packed, emotionally charged adventure, The Key of Alanar has an element of philosophy subtly woven into the narrative, serving as an exploration of life, death, reality and how, on a personal level, we can move beyond grief and suffering to become all that we are capable of being. A tale of transcendence and redemption, The Key of Alanar is a book that will likely stay with the reader long after they have read the last page.

Watch the official trailer! It truly captures the epic, cinematic scope of the novel:

Click here to visit The Key of Alanar launch page, for order links and to purchase a signed copy!

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Stay tuned for exclusive extracts in the next few days and some cool behind the scenes information on the making of a book!

An author in the spotlight: Rory Mackay answers 4 questions!

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Nothing beats the power of a good question. Questions make us think, reflect and explore things in different ways. I’m all for questions, and I always endeavour to give good answers! So here I am taking part in a challenge I saw online several months back, in which an author answers four simple questions. Well, I’m an author, and without any further ado, here are the questions…

When did you begin writing?

I’ve been writing since childhood. Creativity was an innate and essential part of my nature as far back as I can remember. When I was younger I was more visually focused, as I loved drawing and painting. What I did was always connected with storytelling, however. I created characters, worlds and adventures and made my own comic books from the time I was about 7 or 8 years old. My longest running series was called King Croc, a quirky and comical fantasy series about a reptilian anti-hero whose job was to conquer the galaxy but who really couldn’t be bothered. He would rather sit at home eating doughnuts that conquer planets. Who wouldn’t? I still have some of those comics in a drawer.

When I was in my teens I began work on a very different project; laying the groundwork for what would eventually become the novel I am about to publish, The Key of Alanar! This was originally intended as a serialised television series or series of movies, but not knowing how to even begin with such a lofty project, I decided to make it a series of novels instead. Having worked on this for the best part of my life, and invested so much time, energy and love in it, I’m truly excited that I am finally able to share this creative vision with the world. (The Key of Alanar is already available to preorder on Amazon for a 14 September release!)

What inspired me to write my first books?

I grew up with a great love of science fiction and fantasy. Already something of a dreamer, it really stirred my imagination and I loved nothing more than to transport myself to other worlds, times and places. But for me the genre was far more than simple escapism. Even in my early teens I really loved that sci-fi and fantasy could be used as a means of exploring ideas, themes and human potential. I was always a bit of a deep thinker, and I loved when books, films and television had a little depth; a purpose behind telling a story.

As I grew up, I became fascinated by mythology and archetypal tales of heroic quests and journeys. Initially my first series of books was called ‘The Journey’, as a reflection of the journey we all take through life, in search of happiness and wholeness. I wanted to explore what makes us tick, and why we live as we do. I didn’t just want to entertain people, I wanted to make people think and say something about life. The development of my books ran parallel to my development as a person as I grew up, learned, experienced many things, and ultimately devoted myself to the pursuit of spiritual knowledge, truth and understanding the nature of life and who we are. I like telling fantastical stories that fire the imagination, stir the emotions and, above all, make people think. In my view, the greatest stories inspire, challenge and enlighten. They are stories that heal. They leave people the better for having read them; a kind of gift shared between author and reader. That is why I wanted to write and why I still keep writing.

How do you write?

I need to be clear about what I’m writing before I start the first sentence. I learned early on the necessity of starting with a blueprint, or at least a firm plan of how the novel will begin, develop and end. My stories are quite complex and multi-layered, so I need to make sure I’ve worked everything beforehand or else I would be liable to write myself into a sticky corner and waste significant time on something that just doesn’t work out. One day I’d actually like to just start writing with no idea in ind how it will end, but it certainly won’t be for my current series, which requires forward planning. There are simply too many balls to potentially drop otherwise!

So, I wait for the ideas to start flowing. It’s almost like my mind is working on the story even when I’m not consciously thinking about it. There comes a time when I can feel the creative energy flowing and I just sit down with paper and a pen and allow the ideas to spill out. I get them structured into a clear framework, and then, when I’m satisfied with what I’ve got, I start writing away. First drafts are usually best written as quickly as possible, to keep the creative momentum flowing smoothly. Then I’ll write three, four or more subsequent drafts and spend a long time editing. With my first published novel, Eladria, I spent one year writing the first few drafts and then another 18 months or so editing and polishing it. As Phyllis A Whitney said: “a good book isn’t written, it is rewritten.” The key is really in taking that mud-covered diamond and scraping and polishing it until it gleams.

Do you have any writing advice you would like to share?

Yes. Write because you love to write. Have no expectations. Follow your passion and pour your heart and soul into it. Don’t expect anything back; even if you write a complete masterpiece, there are so many books being written and published right now that it’s hard to get anyone’s attention. Have no expectation, but stay true to your own unique creative vision. Write a story you feel needs to be told. Share ideas, share experiences and dreams and thoughts. Write a book that will make the world a better place for your having written it. Think of it as part of your legacy, which it is, and make it as wonderful as you can. Don’t rush it necessarily, take your time and let your heart guide you. Whether you then sell ten copies or ten thousand, you’ll have contributed something special to the world. And that why being a writer is one of the coolest things in the world.

‘Kill the Past, Destroy the World’ – Short story ebook now FREE on Amazon Kindle for 72 hours!

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If you haven’t already downloaded my latest short story, the provocatively titled prelude to my new novel, now is your chance! For a limited time, Kill the Past, Destroy the World is available to download for FREE on Amazon Kindle. If you have read the story, then I do hope you will share it with anyone else you think might enjoy it.

Kill the Past, Destroy the World tells the story of Mailyn, an embittered sorceress who returns to her homeland, determined to settle some old scores and seek revenge for the sins of the past. Guided by mysterious beings she believes to be ‘angels’, Mailyn is part of a dangerous plot that could spell the end for an entire world. With Mailyn determined to set Alanar alight with the fire of the angels, only one man, the High Priest Ardonis, can stand against her and prevent her from unleashing a planetary apocalypse.

Leading right into the opening pages of The Key of Alanar (which is now available to preorder!) this is one of the most morally ambiguous pieces I’ve ever written and I loved exploring the backstory that leads into an incredibly epic tale that spans 10,000 years and multiple dimensions. The adventure now begins…

Be sure to grab your copy now!

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The story is also available from every other Amazon region, be sure to check it out!

Things I Wish I’d Known About Writing From the Start, Part 1: In Order to Write Well, You Have to Write a Lot

Hi everyone! This is the first in a series of short blogs in which I’m going to share some of the most important lessons I’ve learned over the years as a writer.

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My journey to being a published author wasn’t always an easy one. In retrospect a lot of that was down to the fact I wasn’t approaching things with the right mindset. I’m naturally quite an idealistic and romantic person and looking back I can see how this, coupled with an unrealistic perception of the writing industry, a streak of crippling perfectionism and self-doubt, sabotaged my writing career for at least a decade. If I knew then what I now know, it would all have been so much easier!

The first thing I wish I knew back then was simply this: no one is born a good writer. Sure, some people do exhibit greater natural skill at writing that others. In school I was always praised for my creative stories, essays and writing ability. But when it comes to the craft of writing, it’s highly unrealistic to assume that our earliest efforts are going to be publish-worthy. Writing is a skill like any other and it takes time, effort and practise to develop and refine it. 

One thing I did do right was to take time to study the craft. I realised it wasn’t enough to have a great idea for a book and then just dive headfirst into the writing of it. It’s first necessary to learn how novels are structured, how to tell a cohesive story and how to develop satisfying character arcs.

Yes, writing is an art, but there’s also a science to it as well. Stories are structured a certain way and although we may have an intuitive understanding of how that works from having read a great many books, it’s still essential to understand the dynamics of effective storytelling. Taking some time at the beginning to learn the craft will save an enormous amount of time and wasted effort down the line.

As writers, our first efforts probably won’t be that great. They might even stink to high heaven. This doesn’t mean that we’re hopeless as writers and should immediately give up. It simply means that we are human. Our skill in the craft is developed by spending many, many hours practising it. In order to become competent writers, we have to keep, keep writing.

Writing two novels, short stories and countless blogs, articles and essays has not only helped me develop my voice as a writer, it’s also helped me become a better writer to build confidence in my abilities. It’s clear to me that each book I write is better than the last because my skill as a writer continues to develop. And that, I believe, is really the only way to do it.

While I’m generally a proponent of quality over quantity, here’s the funny thing: as long as we take care of the quantity, the quality tends to develop by itself. In order to be good writers, we simply need to write–and write…and then write some more! The skill and confidence comes with time and practise. Happy writing!

The 3 Steps to Writing Anything

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Whether you’re writing an essay, an article, sales copy or the great American novel, there’s a basic three-step process that, if understood and applied, can make it a whole lot easier for you.

If you’ve ever found yourself struggling to get the words out, or unable to get beyond the first couple of sentences, it’s probably because you’re trying to do the wrong step in the wrong order. Once you’re clear on how to apply this universal three-step method, you’re certain to find the process of writing easier, more effortless and hopefully more enjoyable too.

The three steps of writing are:

1. Planning
2. Writing
3. Polishing

That may appear to be pretty much common sense! Yet you’d be surprised at how often we tend to get these steps muddled up, resulting in all kinds of problems. Each stage needs to be understood and done in sequence before moving onto the next.

Here’s a rundown of each step.

1. PLANNING

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Planting a seed

Any creative endeavour begins with the planting of a seed. You get, wait for or are given an initial idea about what to write. Perhaps you have an idea for a story, or have received a brief for an essay or article.

Allowing it to grow
Once you have a starting point, you need to give yourself time to brainstorm and play with ideas. If you started out with a fairly broad focus, then you have to gradually narrow and refine it. If you’re writing fiction, this is the time to explore your story, theme and characters, to run with your imagination and allow the story to unfold and take shape.

If you’re writing nonfiction, perhaps you need to do some research and gather information and then arrange and structure it. The initial seed you planted begins to germinate and grow. It’s best to keep this stage as organic as you can, allowing it to unfold naturally. Trying to force it can restrict your creativity and obscure insights, inspiration and fresh ways of looking at things.

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Creating a blueprint
Once you have a fairly clear idea what you want to write, it’s time to take things up a notch and create a blueprint. Whereas the first part of the planning stage should be quite free-flowing, it’s now time to arrange things into a cohesive structure. Some people skip the blueprint stage altogether, and that’s a matter of personal preference and also depends on what you’re writing and why. But I find rushing ahead to write before I have a clear idea what I’m writing about often leads to dead-ends and a lot of frustration and wasted time. I like to have a blueprint for what I’m writing — or at the very least a clear idea of the beginning, middle and end. Then I can simply relax into the next step and be confident that there’s an underlying structure in place to keep me right.

To create a blueprint, you simply arrange your ideas or information into the appropriate structure. If you’re writing a story or novel, try to put all the elements of your plot into place so you know roughly what happens when. What this does is enables you to get a sense for the structure, rhythm and balance of the story. It’s helpful to have this in place before you start writing, because it’s a whole lot easier to change elements at this stage than it is when you’ve written the whole thing and realised that the basic structure of the story doesn’t work (doh!).

This doesn’t mean the blueprint needs to be rigidly set in stone. It should be flexible enough to add, subtract or move around elements as you write. But it gives you a solid foundation and the confidence to start writing. If you’re writing an essay or article, your blueprint will set out your introduction, each key point in progression and end with clear summary or conclusion. Once you’re happy with your blueprint you can move onto the next step.

2. WRITING

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The mistake a lot of people make when writing is to assume that writing consists solely of — well, writing! But jumping straight into the process of writing without having a clear idea what you’re actually writing about is generally a recipe for muddle and frustration. So I’d generally advise people not to bypass the first step.

Once you have your blueprint in place, it’s time to get into the flow of writing. Make sure your first draft is just that: a first draft. It might be helpful to even think of it as a zero draft. At this stage it’s not about making it perfect; it’s simply about getting words down on the page. Now’s the time to write for your life and not look back!

Forget about formatting and editing and try not to read back over what you’ve written if you can help it. You may have a tendency to edit as you go along, trying to ‘perfect’ each sentence before moving onto the next, but it’s best to avoid that temptation. The next step is the editing stage; this is simply the writing stage. So make it easier on yourself: don’t skip ahead. You can edit and refine it when it’s finished, and not before.

The key to good writing is to get into that state where the words just flow with ease and effortlessness. There are different ways to reach that creative flow, and you may need to experiment to find what works best for you. One of the keys to entering the state of flow is to simply focus on the step you’re on; in this case, the writing. You’ve already got your blueprint in place so you don’t need to worry about that, and you don’t need to worry about editing what you’re writing — that’s the next step. Try to bypass your inner critic. Don’t judge the work before you’re finished, or you may never finish: you’ll simply end up in the sticky web of perfectionist paralysis!

Just let go, relax and write. It can be helpful to do a writing warm-up exercise before you start. For example, you might take a random word and do some free-flow association. Just write whatever comes to mind; complete stream-of-consciousness writing. Try that for five minutes and see if it loosens you up and gets you into the creative flow.

3. POLISHING

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The final step is the editing and polishing stage. Once you’ve finished your first draft, take a break if you can and then go back read over it. It’s now time for the inner critic take the reins for a while — although do make sure that any criticism is constructive!

You’ll likely get a sense for the flow and structure of the text. How does it read? What areas need improving? What needs to be added and, more importantly, what bits can you take out? I naturally tend to overwrite, so my editing stage largely consists of pruning things back. Try to remove redundancies and be alert to repetition. A good mantra for the editing process (and perhaps life in general) is: “if in doubt, cut it out!”

Perhaps your piece only needs some minor modifications or it may need several successive drafts. Keep going until you’re happy with it. An excellent tip is to actually read the text aloud. This helps you get a feel for the rhythm of the words and sentence structure and is also helpful for spotting errors that may have otherwise slipped through the radar.

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And those are the three steps to writing pretty much anything! Even though it seems so simple and self-evident, it took me a number of years to figure out this three-step process and to apply it to my work. The difference it made was immeasurable.

The most important thing is to know which step you’re on and to stay on that step until you’re ready to move to the next. No premature skipping ahead! This is especially important when you’re in the writing stage. If you’re always slipping into editorial mode and trying to make each sentence ‘perfect’ before moving onto the next, you’re almost certainly going to struggle. Besides, the sobering (or perhaps liberating) truth is that there’s no such thing as a perfect sentence. So just let go, relax–and write!

This article was originally posted on my other blog, Beyond The Dream, a couple of years ago and ezineArticles.com

The Creative Life: How to Overcome Self-doubt

I’m excited to be relaunching my Dreamlight Fugitive blog in addition to my main blog, Beyond the Dream! My first new post is about something that affects everyone in any creative field: the arch-enemy of creative expression…self doubt!

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Yesterday, having finally finished my new novel after a year and a half of work (and the rest! But that’s another story!), I was clobbered over the head by an attack of self doubt. I’d just ordered proofing copies yet I found myself going back and picking away at random sentences, trying to find better ways of stringing the words together in order to reach that most elusive of writerly goals: the ‘perfect sentence’!

One thing led to another and I soon started to question the entire book. What if it wasn’t ready to be put out into the world? Feelings of accomplishment and satisfaction quickly turned to feelings of anxiety and dread. What if I was in fact one of the worst writers ever to pick up a pen or hammer away at a keyboard? I’m safe at the moment, but the moment the book is published it’s a target and as the one-stars reviews come flooding in, I’ll be revealed as the terrible hack I am! I even very briefly considered binning the entire book and starting again from scratch.

That’s how self-doubt works! It’s a vicious, pernicious and potentially crippling little monster. It hides away in the darkest recesses of the mind and is prone to jumping out at inopportune moments and letting rip with its penchant for woeful catastrophising. It’s something that every artist and writer must learn to live with and it does get easier with time.

Most of the time I have it under control. But coming to the end of a project, when you are actually taking the steps to releasing that work into the world, makes the self-doubt monster terribly antsy. Stirring from its slumber like a cat that was only really half-asleep the whole time, you know the meltdown is inevitable.

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“You’re thinking of publishing THAT? Are you crazy?! It needs at least another year of work. The critics are gonna tear it to shreds!”

Now, a little self-doubt is healthy. It gives us a certain objectivity about our work, which is useful in the editing stage (and throughout, really). It becomes harmful however when it degenerates into an overwrought, mud-slinging, anxiety-ridden neurotic monster, determined to convince us that nothing we do is good enough and that we’d be better off setting it aside and slumping onto the sofa and firing up Netflix. So pervasive and persuasive is the self-doubt monster, it’s almost certainly destroyed countless artists’ careers before they’ve even had the chance to get in the game. Left unchecked, this inner censor will not only hinder your creativity, it will completely destroy it and leave you a blubbering and, above all, blocked wreck!

The self-doubt monster is actually pretty easy to deal with it however. And here’s how.

First of all, take the ‘self’ out of self-doubt. It has nothing to do with who you are. It’s simply a thought and that thought’s corresponding emotion. It’s actually completely impersonal. We all get it — everyone, in every walk of life! It’s certainly not unique to us. Self-doubt is basically fear. It’s a defence mechanism designed to somehow keep us safe, even if it is a little misinformed and ultimately wholly counterproductive. Depersonalising it immediately takes the sting out of it.

Secondly, once I’ve depersonalised it, I personify it. This might make me sound utterly crazy, but I find it helpful to give it a name and form. I call my self-doubt monster Fred. Fearful Fred. He looks like a big, fat and slightly ungainly grey caterpillar. Most the time he just wiggles about in the recesses of my mind, doing whatever it is caterpillars do. Occasionally however, something gets Fred riled and he gets all worked out and inflates in size, becoming a gargantuan blob full of his own hot air. This happened last night when I somehow convinced myself I was the worst writer in human history.

I isolated the emotion in my body (it seemed to be around my belly, or solar plexus) and I decided to have a chat with Fred (as the personification of my self-doubt). He was beside himself with fear, anxiety and dread. So I made him a cup of tea, sat him down and explained that I’m grateful he’s so diligent in looking out for me, but there was no need for such stress and worry. Yeah, it’s always a little scary releasing a new piece of work into the world, as it probably is for a baby bird being pushed out of its nest in the hopes it will fly for the first time. But I reminded myself the importance of keeping everything in perspective.

I wrote an article last year about the power of karma yoga. Karma yoga isn’t a sequence of physical postures as you might expect, but a mindset with which we approach life. As it says in the Bhagavad Gita, we have the right to act, but the fruit of those actions is not up to us. So the karma yoga attitude — which is the greatest antidote to stress that I know — is simply to do our best and let go of the results. Once an arrow has been fired it’s no longer up to us whether it hits the intended target. Chances are we’ve done our best to ensure that it does, but it’s now under the control of a set of natural laws and dynamics that are completely outwith our sphere of influence. All we can do is relax, take it easy and endeavour to take whatever comes with good grace.

The self-doubt monster can be an implacable and relentless foe to any creative person. It’s probably cost me years of my life. I’m certain I’d have more than one novel published by now if I hadn’t spent years under the sway of Fred, bless his heart. Now I’ve learned to master my mind and emotions a little bit more. This doesn’t mean that self-doubt and other self-limiting thoughts vanish forever. But it does mean that when they come up I can put them in their place and simply get on with things. As the Tao Te Ching says:

Mastering others is strength; mastering ourselves is true power.

Self-doubt and anxiety are defence mechanisms generated by the unconscious mind to keep us safe. But we are safe! As artists we follow our calling, we write the stories and paint the pictures that our muse is kind enough to share with us. We learn and grow and improve our skills all the time. We make mistakes, but mistakes are an essential part of the learning curve. Never be afraid to make mistakes! And never allow yourself to be held prisoner to the tyranny of other people’s opinions. Some people will love what you do, and some people won’t. Some people are fair in their criticism and some people are jerks with clear psychological deficiencies (I now refrain from reading comments sections on youtube and other websites because of this!).

Learn to wrestle with your self-doubt monster. Or make it a cup of tea as I do. Usually once I’ve had a firm but loving chat with Fred, I imagine sending him off on an all-expenses paid vacation to Tenerife where he can just relax in the sun all day drinking Pina Colada while I get on with what I have to do.

Self-doubt is ignorance masquerading as truth. Don’t let it cripple you. Take charge of it and educate it. You’re doing fine, let it know that and these lagging parts of the mind will eventually catch up. When we no longer give fear or doubt power over us, when we educate them and put them into perspective, we give ourselves the greatest gift of all. Freedom! And freedom is the ultimate goal of all creative — and moreover, all human — endeavour! So dance with your doubts and allow yourself to be free.

This fantastic song and video by one of my favourite artists, Bat For Lashes, is about just that. This was the song that Natasha Khan wrote after a long spell of creative block, and it’s very much about learning to tame and dance with the monsters of self-doubt, despair and fear. Enjoy.